Standard black vs rich black

Colors are vital in conveying your message and encouraging people to look at your prints more closely. So let us help you set the tone and explain why the color black is so important.

 

 

Standard black (K) vs. rich black (CMYK) values

Black is one of the most frequently used colors in printing. But, surprisingly, not all black inks are the same. Black ink can vary immensely in black and white printing and CMYK printing. You need to know that there are two main types of black: standard black and rich black.

Standard black consists of black ink (100% K) and nothing else, while rich black contains Cyan, Magenta, and Yellow. By adjusting the amount of color, you can achieve a deeper and more saturated tone. 

Standard black and rich black may look the same on a screen – but not in print. To ensure consistency, make sure you check your color values. As the illustration (right) demonstrates, you can see what two different blacks will look like when printed.

Illustration of and colour values for standard black
Standard Black
Illustration of and colour values for rich black
Rich Black
 

When not to use rich black

Even if you have a full-color CMYK project, always avoid rich black for small text, line art, or anything with fine details. The reason? Tiny variations in plate registration can produce blurry remnants of the four colors around the edges. This effect is called ghosting. You might have seen this effect in newspaper print.

 

How does ghosting appear in print?

Here is an example of ghosting (right). The thin text and black background have CMYK color profiles (rich black) instead of greyscale (standard black). Four separate ink plates distribute ink on top of each other to create rich black. If one of these plates is slightly misaligned, you can see a ghosting effect.

 

 

Example of the 'ghosting' effect rich black may produce
An Example of ghosting with Rich Black